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Before WW2, acouztic on electric archtops are solid mad. The exterior lubrication holes can be either small or large. Instead they continued the chubby, just changing the first digit to a "5" for Next to it is the last pre Gibson knob, known as the "amp" knob, used from late to the mid's but not on all jerks. The exterior lubrication holes can be either small or large.
The EIA can be contacted via mail: Source-date codes Marton an industry standard until after WWII. But Nunbers have seen them used on Stackpole pots on electric National guitars as early as The segial time date-source codes were published seialso I guess you could see them as early acoustiv the late 's. Most Fenders from to have dated Sdrial pots. On popular Fender models, the pot date can Seriao very close to the actual date of the instrument. On less popular Fender instruments, such as LapSteels, Mattin can be as much as two years earlier than the actual Numbbers of the instrument. Gibson didn't start using pots with source-date codes till or Of course this all assumes the pot or speaker is original.
You have to make that call. I would suggest checking the solder joints - Gibeon they clean? Are the wires of the right era cloth insulation for older Gibsoon If so, you can check the pot or speaker for the source-date code, and determine an approximate age from dating. How the Source-Date Code Works. Back painted gold or Numhers, clear with numbers 1 to 10 visible thru knob: Note this knob Martkn used primarily on Les Paul Custom models till the mid 's, when most other models got these knobs. Black knobs with white numbers 1 dzting. Looks like "blackface" Fender amp knobs: Some models never got these knobs such as the and later Les Pauls.
Used mostly on the hollowbody and semi-hollow models, such as the ES Martln. Starting in numner, they switched to a much whiter and slightly rounder acoustiv plastic switch tip. Dahing. head screws started to be used at Gibson in the phillips head screw was original patented in Prior toall screws should Martin acoustic serial number dating. Gibson Serial Numbers derial style. Prior toall metal Martin acoustic serial number dating. Gibson Serial Numbers is either unmber or gold plated. Starting inall hardware is either chrome or gold plated. Kluson Deluxe "tulip" tuners on a Les Paul. Note this is the "single ring, single line" variety used from to The "single ring" refers to the single ring around the plastic button.
The "single line" refers to the single line of vertical text saying "Kluson Deluxe". Note the "inked on" serial number. During the 's and 's, Gibson used Kluson tuners almost exclusively. ByGibson starting using tuners with the datibg. Deluxe" serual on them, but these were actually Gibso by Kluson. More info on Kluson numbet can be found here. Again Phillips head screws started to be used at Gibson in the phillips head screw was original patented in Numner Deluxe Tuner specs models including 3-on-a-plate and "tulip" designs: NO outside hole on acousfic metal cover for the tuner worm shaft. On the bottom side of Martin acoustic serial number dating.
Gibson Serial Numbers tuners stamped into the metal it says " PAT. Tulip plastic tuners knobs have a single ring around them. Still no nhmber hole in the metal tuner cover for the tuner worm eating. The nuber lubrication holes can be either small or large. There is still now an outside hole in the metal tuner cover for the dqting. worm shaft. Nymbers Martin acoustic serial number dating. Gibson Serial Numbers are often called "No Line, Single Ring". Single line "Kluson Deluxe" in a single accoustic line on the ribbed metal tuner cover. The exterior lubrication holes can be either small or large though most are large hole. Two plastic rings on the plastic "tulip" tuner knob.
These tuners are often called "Single Line, Double Ring". On keystone tuners, the buttons become have a slight green tint to them. These tuners are often called "Double Line, Double Ring". Now a double lined "Gibson Deluxe" replaces the double line "Kluson Deluxe". The base plate for the tuners also has a more rounded look to it with the edges less defined. This happened because the dies that stamped out this part were wearing out. The original Kluson tuners company went out of business in so this style of tuner was not made again until the s when WD Guitar Products bought the Kluson name and reissued these tuners.
PegHead Markings other than Serial Numbers "seconds" Gibson often marked inferior quality guitars as "seconds", and sold them at a discount to dealers or employees. These markings were stamped into the wood on the back of the peghead. A "2" stamp is sometimes seen, designating a "second", which had some cosmetic flaw. If there is a serial number on the back of the peghead, the "2" is usually seen centered above or below it. Also sometimes stamped was "CULL", which is another designation of a second. Again, this stamp is seen on the back of the peghead. The worse Gibson reject is the "BGN" stamp, designating that instrument as a "bargin" guitar. These were only sold to employees at substantial discounts.
This stamp is also seen on the back of the peghead. BGN instruments weren't acceptable to Gibson as sellable to the public. All second instruments are usually worth less than the same guitar that is not a second given condition as the same. BGN instruments are worth less than a second instrument because these tend to have some fairly serious cosmetic flaw. A war-time Southern Jumbo that was exported to Canada. This is sometimes stamped on the back of the peghead where a serial number would be on and later Gibsons.
Also it's sometimes seen on the top edge of the peghead. An EStc from the 's, as seen through the bass side "f" hole. Model Body Markings non-Artist models. After WW2, lower-line Gibson vintage instruments did not have a label to designate the model. Instead, Gibson just ink stamped the model number inside on hollow body instruments. If the instrument had "f" holes, this number was ink stamped in the bass side "f" hole on the inside back of the instrument. If the instrument was a flat top guitar, this number was ink stamped inside the round soundhole on the inside back of the guitar. Gibson Cases Mid to high-end model guitars during the 's and early 's used a black case with a red line around the top edge of the case.
The inside is a deep maroon color. Lower models used black rigid cardboard cases. Aboutmid to high end model started to use a tweed case with a 3 inch wide red "racing stripe" on the tweed. The inside of these cases are also usually a deep maroon. These tweed cases were used up to WW2. Post-WW2Gibson offered 3 different cases. The "low grade" case was an "alligator" softshell case, essentially made of rigid cardboard with a sparse brown lining. This case also often had a hard thin brown plastic handle that cracked very easily. The "medium grade" case was a wooden case with a smooth brown outside and usually a sparse green lining though different color interiors are seen.
The "best grade" known as the "faultless" case was the "California Girl" case, as it is known. This wooden case has a rich brown outside like a tanned California girland a very plush and rich pink inside. The handle on the medium and high grade cases was leather covered metal. Note some models such as the Les Paul did not have a medium grade case available either got the 'gator case or the Cal Girl case. Though any s era of these three LP models could also have a four latch case. Most 's Gibson cases had a small 1. This was located on the side of the case by the handle. Note during this period there where three different manufacturers making cases for Gibson, all with the same basic specs, but slightly different shapes Lifton, Geib, Stone.
Geib cases are seen mostly in the early 's, and Lifton cases in the mid to late 's. Stone cases are seen throughout the 's, but not to the extent of the other two manufacturers. The new low-end case was a black softshell with a plush deep red lining. The medium grade case was dropped entirely and the new high grade case was black on the outside, and yellow on the inside. The black outside changed from smooth to rough during different periods of the 's. Also the handle changed from a leather covered metal to a hard molded plastic type about The small brass Gibson plaque was still used until the later 's.
In the 's, the new high-end case was still a wooden case with a black outside, but a deep red inside. Most 's cases had "Gibson" silkscreened on the outside of the case in white. Also made during the 's is the "protector" case; a huge thing made completely out of molded plastic. This case was very popular for Les Pauls. A picture of a mid's Les Paul brown case is here. This is not the most desirable of the Les Paul brown cases, as it has a flat top and four latches typically this style of brown case was sold with Les Paul Specials and Juniors.
Starting about mid to latethe brown Les Paul case changed to a five latch model. These newer cases have a tag on the inside pick pocket that says "Made in Canada". Also, these cases have a pink interior satin cover that goes over the top of the guitar before closing the case. And they also have a combination lock on the main exterior latch and a leather handle. There were also some early 's brown reissue cases mostly for Les Pauls and Korina reissues that are starker versions of the Canadian reissue case. Most recently Gibson has copied the original 's Cal Girl case more exactly on their "historic" series reissues.
Seriak easiest way to find the year of a Gibsoj Gibson instrument is usually by referencing the instrument's serial Martin acoustic serial number dating. Gibson Serial Numbers of factory order number. This following information applies to all Gibson instruments including guitars, mandolins, lapsteels, basses and others. This information was compiled from these sources: To make things even more interesting, they sometimes wrote the serial number or factory order number with a near-invisible pencil, sometimes ink-stamped eSrial in disappearing ink it seemsand sometimes pressed it into the wood. And the placement of these serial numbers and FON's factory order numbers can be different, depending on the era.
Gibson serial number consistency was never given much thought, as Gibson changed serial number system many times. Hence, some serial numbers may be duplicated in different years. This is especially noticable during the 's. Many people ask, "How can I tell the difference between a serial number and a factory order number? Sometimes this is difficult, but you have to look at the format of the number, and the general era of the instrument. Does it have a pre-WW2 script "Gibson" logo? If so, then just look at the pre-WW2 serial number and factory order number info. This would be the single biggest question to ask, as pre-WW2 and post-WW2 instruments are numbered quite differently.
Also, examine the placement and style of the numbers and make sure it follows the schemes described. Another question asked is, "The FON number says the instrument isyet the serial number says ; why are they different? There is a very logical reason for this. The FON number is stamped on the instrument very early in the manufacturing process. Most times, the serial number is applied as one of the last steps especially on pre hollow body instruments when the instrument is nearly finished. Depending on the demand for the instrument, it could take Gibson up to 6 months to finish the instrument.
acosutic Hence the FON number could be serrial year, and the serial number the next year. Martin acoustic serial number dating. Gibson Serial Numbers wasn't till that Gibson came up with a good serial number system that will last them Gibeon. This new serial number system dahing. determination of the exact date the instrument was stamped with the serial number, and the factory of manufacturer. Often nmber serial number or model name on label, Mzrtin of Orville Gibson and lyre mandolin, date sometimes penciled under the top must be seen with a mirror. Or serial number and model name on white paper label, number range acoudtic tohand inked or penciled toink stamped serial number to Factory Order Numbers stamped on neck block inside body.
Some low end models with no numbers. Some models with an ink stamped 3 digit number on neck block. The number can be seen by looking inside the sound hole. Look at an angle towards the neck. All f-hole Martin archtops have their serial and model numbers stamped on the inside center of the backstripe, roughly under the shadow of the bridge and best seen from the bass side "f" hole. The numbers listed here show the LAST serial number produced for that year. Martin produced all guitar serial number sequentially. These serial number apply to all Martin guitars, flat top and arch top. It does not apply to ukes except for the first year, they do not have a serial number. Does not apply to Martin mandolins either they have their own serial number system.
Though some models have been seen after this number with scalloped braces, and before this number with tapered braces. For example appears to be the last D28 with scalloped braces, and D had tapered braces. This is an approximate serial. Sitka spruce was used in regular production thereafter. Other Brands Made by Martin. SinceMartin did make guitars, mandolins and ukes for other brands and guitar studios. No, this was not "common". Even if your instrument is one of the brands listed below, that does NOT mean it was necessarily made by Martin either! Just keep that in mind.
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